Mono Lake Sand Tufa Towers: A Morning on Navy Beach

Morning Light on the Fragile Sand Tufa Towers of Navy Beach

Exploring the Fragile Sculptures of California's Eastern Sierra

Technical Field Notes: Capturing the Mono Basin

There is a rhythm to working along Highway 395 that settles into your bones after a few years of photographing there in all seasons. Whether you are chasing the ancient bristlecones, wandering the chaotic boulders of the Alabama Hills, heading up the side canyons for Fall colors or checking out the arrested decay of Bodie, the Eastern Sierra always demands a pit stop at Mono Lake. Pro tip; Anyone running this stretch knows that the unassuming Mobil gas station at the intersection of Highway 395 and Highway 120—the eastern gateway to Yosemite National Park—is a mandatory culinary detour. The food there punches way above its weight class, and I never pass through without grabbing a proper meal before setting up camp a few miles away at Mono Lake.

On this particular morning, I decided to bypass the classic, heavily photographed tufa groves along the south and west shores. Instead, I turned down a quiet dirt road leading out to Navy Beach on the southern edge of the lake. While the iconic calcium-carbonate towers get all the love in tourist brochures, Navy Beach harbors something entirely different and far more fragile: sand tufa towers. These intricate, porous columns formed underwater centuries ago when freshwater springs rich in calcium bubbled up through sandy lakebed sediments, binding the grains together before dropping lake levels exposed them to the dry desert air. They look less like standard rock formations and more like ancient, skeletal architecture slowly being reclaimed by the wind.

Working these delicate formations requires a careful eye and a deliberate pace. The low morning light cutting across the Sierra crest added a sharp, dramatic contrast to the scene, casting deep shadows through the intricate lacework of the sand structures. I mounted my OM-1 to frame the foreground pillars against the distant, snow-dusted peaks of the Sierra Nevada. These structures crumble if you look at them wrong, so staying light on your feet while finding a clean composition is half the battle. After wrapping the shoot, firing up the stove back at the van for a fresh pour-over coffee while watching the morning clouds drift over the basin reminded me precisely why I keep coming back to this ancient, saline inland sea.


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Keith Cuddeback

Keith Cuddeback is a passionate photographer who has dedicated his life to capturing the breathtaking beauty of the American West and recently, deep space astrophotography. From his Sprinter camper van, since 2019, he travels to remote locations, where he finds serenity in nature and transforms it into stunning visual art.

His journey in photography began in the 1970s when he immersed himself in the works of Edward Weston, Gaylon Rowell and Ansel Adams. These early influences shaped his understanding of the craft, guiding him toward a style that emphasizes both the grandeur and subtlety of the landscape. He further honed his skills under the mentorship of renowned photographers William Neill, Lewis Kemper, Gary Crebbe and the late Jeff Nixon, each contributing to his evolving perspective.

Keith offers rotating limited release prints, allowing collectors to own a piece of his artistry. He also offers personal shoots and portfolio reviews, welcoming photographers of all levels to explore their potential and refine their craft. His approachable demeanor and genuine love for photography create a welcoming atmosphere for those looking to learn and grow. Through his lens, Keith invites viewers to reconnect with the natural world, cherishing its beauty one photograph at a time.

https://keithcuddeback.com
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Kodiak Island Grizzly Bear and Cub on the American River

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Twilight at the Alien Egg Hatchery