Confessions from the End of the Jetty, Borlänge, Sweden

A minimalist high key photograph of a wooden pylon assembly with a single tire hanging from it, reflecting perfectly in the dark glassy water. The dense fog dissolves the background entirely, suggesting immense depth and isolation.

A study in isolation: A single pylon assembly and its perfect double on a void of water and fog

Foggy day on Lake Siljan near Borlänge, Sweden

Ten years. That's a decent amount of time to reflect on a singular moment, or in this case, a singular tire.

This shot was taken on one of my trips to Sweden, a country known for many things: Volvos, flat-pack furniture, and, apparently, fog that can erase the concept of reality. I was on the jetty at Borlänge-Siljan-Lake, where I walked and walked until, looking back and the shore was gone. There was no water. There was no sky. Just me and this very polite, bundled-up cluster of wooden pylons.

And, of course, the tire.

Water: Element of (Literal) Change and the Loneliest Tire

The way the fog dissolves the boundary between water and air, leaving only that singular, almost sculpture-like object, perfectly encapsulates the theme of 'change'—the state of matter itself has become ambiguous. The solitary tire adds a layer of quiet, surreal human artifact to the absolute stillness.

I remember distinctly the crushing weight of the solitude. Not a sad solitude, but the kind where your brain momentarily glitches and thinks, "Am I the only thing left?" That’s the feeling I wanted to photograph.

When I look at this image now, a decade later, the 'change' that hits me isn't just the state of the elements. Water as gas (fog) vs. water as liquid is the easy metaphor. The real change is the persistence of that singular, lonely rubber tire. Someone, once upon a time, had the presence of mind to ensure that pylon grouping had a rubber bumper. Now, it just floats in the void, a weirdly practical monument to a world that the fog decided to momentarily censor.

The Ten Year Wait for Recognition

So, the reason I’m posting this particular photo today is because I was just notified that my photo, which I submitted to a juried gallery exhibition has been chosen to be a part of the exhibition beginning May 1, 2026. The theme is "Water: Element of Change". The way the fog dissolves the boundary between water and air, leaving only that singular, almost sculpture-like object, perfectly encapsulates the theme of 'change'—the state of matter itself has become ambiguous. The solitary tire adds a layer of quiet, surreal human artifact to the absolute stillness.

Keith Cuddeback

Keith Cuddeback is a passionate photographer who has dedicated his life to capturing the breathtaking beauty of the American West and recently, deep space astrophotography. From his Sprinter camper van, since 2019, he travels to remote locations, where he finds serenity in nature and transforms it into stunning visual art.

His journey in photography began in the 1970s when he immersed himself in the works of Edward Weston, Gaylon Rowell and Ansel Adams. These early influences shaped his understanding of the craft, guiding him toward a style that emphasizes both the grandeur and subtlety of the landscape. He further honed his skills under the mentorship of renowned photographers William Neill, Lewis Kemper, Gary Crebbe and the late Jeff Nixon, each contributing to his evolving perspective.

Keith offers rotating limited release prints, allowing collectors to own a piece of his artistry. He also offers personal shoots and portfolio reviews, welcoming photographers of all levels to explore their potential and refine their craft. His approachable demeanor and genuine love for photography create a welcoming atmosphere for those looking to learn and grow. Through his lens, Keith invites viewers to reconnect with the natural world, cherishing its beauty one photograph at a time.

https://keithcuddeback.com
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